A bleak Thursday night (it was drizzling a bit) nearing midnight (10pm) and we waited outside an old church (lit with bright green lights and manned by some friendly Fringe staff, but shhh) to see Argosy Arts Theatre’s The House of Edgar.
The atmopshere was tense and palpable, sort of, but we were most definitely ready to feast our eyes on this ‘gothic masterpiece’. The play promised to blend musical theatre with gothic horror to tell the story of Edgar Allan Poe, after his death, as a rival tries to seize his estate, and it certainly delivered.
The music was provided by a pianist and violinist who were simply brilliant. They kept time perfectly, instantly evoking an eerie atmosphere with their sliding chromatics and discordant melodies. As the cast began to sing the first number, we knew we were in for a treat. It was both snappy and smart, traits which continued throughout the performance, the transition from each number to the next seamless.
I’ve read some of Poe’s poetry and short stories (though after this I’m definitely keen to read more) and it was particularly powerful to see his famous words brought to life by song. The Tell-Tale Heart and The Raven were especially captivating, particularly the brutal physicality brought to the former. But for me, the stand out performance of the night was Rufus Griwold (Eoin McAndrew). Right from the opening, he captured the audience’s attention and delivered a multi-layed performance as Poe’s former friend and rival.
I wouldn’t hesitate to recommend this to anyone – definitely one of the best shows of the Fringe! We demand a soundtrack!