Reviews from the Home Front – Dear Lucy

With 2018 marking the centenary of the end of the First World War, it is no surprise that this year’s Edinburgh Fringe has many shows based on the Great War. Dear Lucy… by Flying High is one such show. Part of their Heritage Lottery funded project, ‘Then & Now: Rebuilding lives after the Great War’, Dear Lucy… focuses not on the conflict itself but rather its aftermath as the Lucy of the title has to pick up the pieces of her life which is shattered by the news that both her brother and fiancé were killed in action.

dear lucy

The stage was adorned with poppies, old photographs, and letters to Lucy which were read aloud, transporting us back to 1918. This set a very poignant and sentimental tone which remained throughout the play, which featured contemporary dance, music and scenes of family life after the war, which were beautifully acted. I liked how female-focused this production was, as they explored women’s roles following the end of the war and female friendship. The family relationships portrayed – particularly between the sisters – felt real and well observed. All the actors did well with the multi-roling that this play required, creating characters that were distinct and believable.

My favourite storytelling device used by Dear Lucy… however was the recorded interviews. The play is very much a family affair as it is based on a true story, with Lucy being played by the real Lucy’s great granddaughter, and interspersed between the scenes were clips of recorded conversations with Lucy’s grandchildren. I love hearing people’s family stories, and the inclusion of these memories were heartwarming and made Lucy seem that much more real to the audience. It is clear that she was adored by her family, and the show was lovely tribute to her.

Letters from the Home Front -Edinburgh Diary Day 9

Thursday 9th August 2018

We had a busy schedule planned with lots of shows to see. The day started with us hot-footing it down to theSpace on the Mile to try and grab some last minute tickets for Noel Coward’s Still Life. However, it was all sold out! It wasn’t a wasted trip into town though, as we decided to head into the heaving crowds up on and around the mile and hand some flyers out before our next show of the day.

boys

Next up was Dulce Et Decorum Est: The Unknown Soldiers at theSpace at Triplex. It transpires that the company are staying right next door to us so we thought it jolly good form to go catch our neighbours’ show, especially as it’s also set in World War II! There were some lovely parallels between The Unknown Soldiers and Greyhounds, right down to the vintage tea-chest that sits proudly in the set of both shows.

Coming out of the show, Fiona’s grumbling stomach reminded us that we’d been so enthralled in the day’s activities that we’d forgotten to factor in time for lunch. Laura and Tim dashed off to grab some pasta whilst Fiona, Jacob and I rushed to theSpace on Niddry Street for Dear Lucy. We enjoyed the WWI show but I do hope the performers weren’t put off by our vocal tummies desperate to make themselves known. When back out on the street, Jacob, Fiona and I were on the prowl for some fast and filling food. The golden arches were looming. We accepted our fate and joined Ronald in a triumphant feast of burgers and fries. Meanwhile, Laura and Tim found director Jac and techie Paul and went to a performance of Dick Barton: The Tango of Terror by the Television Workshop Salford. Always great to support a fellow Greater Manchester production!

We reconvened on the Royal Mile, where Laura whipped out her ukulele and we did some impromptu close harmony singing for those passing by. Pretending to be The Andrews Sisters is definitely one of my favourite pass-times. It’s a shame we’ve only got four songs down at the moment!

Then it was time for another performance of Greyhounds. We seem to be racing through this run of shows at an alarming rate, it seems only yesterday we had those first night jitters. Another appreciative audience greeted us which was so lovely. We’re ever so grateful for the reception we’re receiving at the Fringe!

One of the great things about the Fringe is being able to go see a plethora of shows at almost any hour of the day. Tonight was the turn of The House of Edgar – a deliciously dark musical about Edgar Alan Poe. Post-performance, we trooped up to Greenside @ Nicholson Square which was bathed in green light. Here’s a snap of Jacob and Fiona having an absolute whale of a time before it was time to go and take in the show.

best friends

The House of Edgar is an absolute must-see if you’re here at the festival. Such good music and physicality. We were riding high on the spirit of musical theatre and decided that when back at the apartment, we should pop a musical on the TV. We searched various streaming services to seek out a good musical. And there it was. Chicago. Amazingly, it was Tim’s first viewing of it (which makes me even more grateful for him putting up with our exuberant performances of the Chicago numbers on the way up). We sang and danced our way along, apart from Cell Block Tango, where Fiona hushed us all to take in the masterpiece. What a jolly lovely way to spend the hours after the show!