What I’ve Learnt About Society’s Views on Women From Walking Round Edinburgh Fringe Dressed as a Suffragette

What I’ve learnt about society’s views on women from walking round Edinburgh Fringe dressed as a suffragette.

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Firstly, I feel incredibly proud to wear my sash. It’s a constant reminder of the real women who – however controversial – fought for a very basic right; that women should have an equal voice and say as men. They were determined, brave, unwavering, and consistently belittled, beaten, arrested, mocked and shamed for simply wanting to give women a voice.

Whilst we’re not facing a fraction of the hatred heaped upon our Edwardian sisters, we are still getting heckled, called out and challenged every single day. Just yesterday we had:

“Ridiculous!”

“No, no, no, no, no. Dreadful idea!”

“Bloody socialists!”

“That’s worked out well!”

Some of these comments are dressed up as wit, some less so, but there’s an uneasiness behind each negative reaction. In 2019 people still find the concept of women needing to fight for their rights as just a little bit of a joke. Don’t be silly love. You’ve no need to go on about any of that any more.

Our male cast members, particularly, come in for a lot of curiosity, incredulity and scrutiny. Fair enough, a group of women might parade around as silly suffragettes but surely a man can’t be standing there holding a ‘deeds not words’ banner?

“Men can’t be suffragettes, can they?”

“Don’t you mean, votes for men?”

This is a pervading attitude, one that seems to think that only women can support the rights of women, only women should have an interest in feminism. And this is a big problem. If people only care about issues that 100% directly effect themselves, it doesn’t leave much scope for creating a better world.

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On the flip side, we’re getting a huge positive reaction from young women and girls (and a wonderful young father with his baby daughter). You can see visible excitement pass their faces as we stalk past with our sashes and banners.

“Yassssss!”

“Votes for women!”

The image of these militant freedom fighters resonates hugely with them. But why? It’s been over 100 years since Emmeline Pankhurst and co. chained themselves to the railings and threw bricks through windows. You could argue that suffragettes are no longer relevant. But perhaps, just perhaps, that struggle to have your voice heard still rings true for many women today.

In the arts world, there is a huge lack of female writers, producers, and directors getting their work made and recognised. Though, not for a want of willing and able candidates.

Even here at Fringe, according to The Stage, men earn 60% more than women. (https://www.thestage.co.uk/news/2019/men-earned-60-more-than-women-at-last-years-edinburgh-fringe-study-claims/)

This year the #womenoffringe group have been truly excellent, offering support and a platform for the women coming up to Edinburgh. But the fact remains, that it’s still sadly necessary to have a specific group supporting women. Our voices still get lost, talked over, patronized.

So pardon me if we continue “engaging in unedifying conversations about the suffragette movement.” There’s still a long way to go.

As Emmeline said:

“I incite this meeting to rebellion!”

And that’s my call to you. Support female theatre, support female writers. Listen to what we say and recognise that there’s still plenty we have to fight for. Because, if the reaction to our costumes is anything to go by, wanting equal rights is still an act of rebellion!

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Letters from the Home Front – Edinburgh Diary Day 12

Sunday 12th August 2018

It was here. Our day off had arrived. And boy was I glad not to be flyering on this wet and gloomy Sunday. Even the usually wildly vocal seagulls had decided to have a lie in and avoid the vicious downpour.

Fiona headed out first for a day of bookish fun. First stop for her was a much-longed for lounge in a coffee shop with her poor slightly neglected novel. A few chapters down, she headed to Lighthouse Books (Edinburgh’s radical bookshop). She perused the tomes on offer with reckless abandon, finally deciding upon an anthology of short stories about political protests.

After lunch with a fellow-Fringing friend, she caught The Red Shoes by Young Pleasance. The show is based upon a Hans Christian Andersen and is brought to life through song and dance. The Red Shoes was full of gorgeous costumes, exciting dance and innovative lighting.

Meanwhile, director Jac and techie Paul pootled on down to Stockbridge market to soak up the hipster vibes (and the torrential rain). They described the vibe as ‘very Chorlton’ for all you Manchester folks in the know. They then spent the afternoon with family (as Paul hails from right here in the land of haggis), celebrating a birthday and stuffing themselves with what I’m told was truly delightful trifle.

Last but certainly not least, Laura, Tim and I had a very exciting day at the ZOO! We set the tone on the way there by cobbling together a makeshift playlist of animal themed songs from what we already had downloaded on Spotify (Octopus’ Garden, Shakira’s She Wolf and I am the Walrus all featured). The zoo was everything I dreamed of and more despite the downpour. Highlights for me were the proud penguin parade, the pygmy hippos and the panda gorging himself on bamboo.

We were all completely tuckered out but the day wasn’t over yet as we had tickets for three shows in quick succession in the evening. We refuelled with a quick and delicious supper of minestrone soup and crackers. Pea-hater Tim left all of his peas in the bowl which isn’t very inkeeping with the wartime spirit. Wasting rations, we shan’t be having any of that!

First show of the evening was Bugle Boys at Assembly Hall. This drag tribute to our beloved Andrews Sisters was full of sass, songs and sequins. It was jolly good fun and the Bugle Boys’ harmonies were so on point.

Next up, we hot-footed it to The Stand to finally catch a bit of the stand-up that Edinburgh Fringe is so renowned for. We took in Alun Cochrun’s show. Depressingly relatable was his observation about having to turn up the TV when the crisps you’re munching on are too loud. A crisis I face on an almost daily basis.

Our final show of the night was late-night Showstopper! The talented cast come up with a musical on the fly based on audience suggestions. We were treated to a Baywatch musical in the style of Hamilton, Mamma Mia, Jesus Christ Superstar and The Book of Mormon. It’s incredible to see the musicians pick up on the melodies the cast throw out and the ever-perfect harmonies. Seriously, don’t miss these guys if you’re at the Fringe. I could go see it every day!

For a day off, we really did jam-pack it full of activities, but you’ve got to cease those opportunities when at the Fringe!

Yours,

Catherine

(Greyhounds’ Ruby Winters)

Letters from the Home Front – Edinburgh Diary Day 11

Saturday 11th August 2018

Amazingly, given the fact that half the Greyhounds stayed up partying and singing Hey Mr Miller in the local takeaway until the small hours the night before, we actually managed to get out of bed on Saturday morning and have a somewhat productive day. I even met a friend for some much needed coffee and managed to have a full conversation with her like a functioning human being in what was a truly Oscar worthy performance. In other award worthy performances, apparently Catherine did a stunning rendition of Cool and the Gang’s ‘Celebrate’ in the shower, but sadly I was either out or dead to the world so missed it. Here’s hoping that there will be a reprise!

Most of the rest of our day was pretty much par for the course – flyering, flyering, eating, and more flyering. We managed to get another slot on the stage after a minor drama in which it appeared that a fire engine was going to attempt to drive up the Royal Mile – you know, that completely deserted and never at all busy road that doesn’t have 3 street stages on it. Once the stage had been moved a whole foot to the right (presumably to try and accommodate this fire engine that must have been lost), we treated the Mile to some jolly 40s tunes whilst Jac did a sterling job of rallying the crowds and throwing a few era-appropriate shapes with Tim and some eager spectators.

We didn’t have long to revel in the swing-dance spirit, as Jac, Paul, Laura and Tim headed off to catch a performance of the Dad’s Army Radio Show, accompanied by a spot of afternoon tea. Laura was very cynical going in as she’s a lifelong fan of the TV show. However, they perfectly captured the essence of the show from the incidental music used during the scene changes to the delivery of over 15 different characters between two actors (including the famous seven). David Benson’s Sergeant Wilson and Jack Lane’s Private Pike were absolutely spot on. The team were somewhat perturbed by the lack of cake but the scones were absolutely delightful.

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Anthony’s last Edinburgh Fringe performance with us went down a treat with our lovely audience. We’re very grateful that he was able to step in and do such a cracking job with the part, even after we nearly broke him the night before by making him come to the Hive (til 5!) with us.

A few well-earned drinks in the bar later, and it was home time for some of us early birds (me, who’d been a little bit too much of a night owl the night before…). However, the Space launch party beckoned for those feeling rather more lively amongst us. Space lanyards proudly on display, the rest of team Greyhounds went to dance the night away to the marvellous live band and celebrated what has so far been a truly spiffing Fringe experience.

Until next time,

Fiona

(Nancy Wilde – Greyhounds)

 

Reviews from the Home Front – Dulce Et Decorum Est: The Unknown Soldiers

Dulce Et Decorum Est: The Unknown Soldiers by Polymorph Theatre was a captivating two-person historical drama performed at theSpace Triplex. The year is 1941, two strangers are united as they take shelter from an air raid. Tommy is a World War One veteran; haunted by his past as he saw the rest of his regiment wiped out in the Battle of the Somme in 1916. Ellen, a young American woman, is awaiting word of her fiancé who has gone to war. They confide in each other in this confined space, sharing their stories and slowly realising that they may have more of a connection than they thought.

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The premise of the play piqued our interest, rocketing the show to the top of our illustrious ‘shows to see’ board before we even realised we were next-door neighbours as well as WW2-show-buddies! The interweaving stories of the two World Wars is something we’ve not seen explored in any other play here at Edinburgh Fringe. It was a really interesting to hear the two experiences compared and contrasted and the characters’ perspectives on the other’s experiences.

Emilie Maybank (Ellen) did a wonderful job of capturing and portraying the feeling of being the one left behind and the agony of not knowing the fate of a loved one. Meanwhile, Jan van der Black gave a powerful and emotional performance as Tommy. Particularly poignant was his tale of going over the top with his pals at the Somme. You could truly believe that he had been there and seen the horrors of war.

The theatre space lent itself well to the setting of a make-shift shelter, with its low ceiling and intimate seating. The set design was simple yet effective, with period appropriate props pulled out of an up-turned vintage tea chest (almost identical to the one tucked away in our Greyhounds set!).

I’d be really interested in seeing more work from Polymorph Theatre in the future as Dulce Et Decorum Est: The Unknown Soldiers was such an evocative piece of historical theatre with beautiful detail. Jolly good show chaps!

Letters from the Home Front – Edinburgh Diary Day 10

Friday 10th August 2018

Friday dawned bright and clear. Possibly. We’ve been here for so long that we’ve lost all track of the concept of time and each day goes in a second, but also takes an eternity, and we can’t remember one from the next. However, I do remember this…

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We split off into two contingents: Jac, Paul, Fiona and Catherine went to watch Italia Conti’s The Dark Philosopher, who were performing at a fellow space venue, whilst Tim and I headed into town to sort out some admin. As the others were enjoying the play, we visited the printers to collect more posters and pull quotes. Whilst we waited we couldn’t resist popping up the road to our favourite shortbread shop to have a cheeky biscuit to keep us going (hazelnut and dark chocolate – yes please).

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We reconvened for lunch – big bowls of pasta and plates of pizza at Bella Italia, conveniently located right outside our venue. It was our final meal with Jacob (for the time being anyway) as he was leaving us to go gallivanting back to Crewe (in aid of the war effort of course). How would we cope? Who knows? Probably not very well.

We made our way to Princes Street to flyer outside the Virgin Money Half-Price Hut. 10 half price tickets were up for grabs! It was rather splendid to see our name in lights, up on the big screen. Definitely check out the Hut each day as it’s a great place to nab discount tickets to some really great shows (and I don’t just mean ours here, I’m being genuine. Really I am.) Whilst flyering, our eyes were drawn to the splendid market stalls that surrounded the National Gallery. Some marvellous insect brooches and Fringe inspired tote bags were particularly tempting.

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Afterwards we trooped back to the Royal Mile and did a spot of singing. The crowds seem to be drawn to the dulcet tones of Glenn Miller and the Andrew Sisters like a flock of seagulls to our bedroom window at 4am. They love it.

Then something very exciting happened. A new member of the company arrived in the land of Bagpipes; Anthony had arrived to take over the role of Will. He’d be filling in for the next two shows and we were delighted. To herald his grand arrival the heavens opened. Thank you weather. Love you.

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He swung by the apartment to catch up on some alterations we’ve made to the show and to collect his costume. Before he knew it, he was stood in a multi-storey car park space warming up like a professional. And then it was time for the show! Anthony hadn’t run through the show for over two weeks and yet he was word perfect and did us all proud.

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To celebrate, we decided to head to a Victorian séance at midnight. It was part of the Free Fringe. We collected Fiona from the Pleasance on the way. She’d gone for a few drinks with her friends and happened to see Dara O’Brien but was too shy to make contact. Better luck next time, Fiona.

The séance was an interesting hour where we were promised that the spirits would be crossing the veil tonight. They didn’t. But Catherine did have to go to the front and check that the rope was legitimate. To settle our nerves, we indulged in a little bottle of wine or two afterwards. Purely medicinal.

Night, night,
Laura (Katherine Winters)

Reviews from the Home Front – The House of Edgar

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A bleak Thursday night (it was drizzling a bit) nearing midnight (10pm) and we waited outside an old church (lit with bright green lights and manned by some friendly Fringe staff, but shhh) to see Argosy Arts Theatre’s The House of Edgar.
The atmopshere was tense and palpable, sort of, but we were most definitely ready to feast our eyes on this ‘gothic masterpiece’. The play promised to blend musical theatre with gothic horror to tell the story of Edgar Allan Poe, after his death, as a rival tries to seize his estate, and it certainly delivered.

The music was provided by a pianist and violinist who were simply brilliant. They kept time perfectly, instantly evoking an eerie atmosphere with their sliding chromatics and discordant melodies. As the cast began to sing the first number, we knew we were in for a treat. It was both snappy and smart, traits which continued throughout the performance, the transition from each number to the next seamless.

I’ve read some of Poe’s poetry and short stories (though after this I’m definitely keen to read more) and it was particularly powerful to see his famous words brought to life by song. The Tell-Tale Heart and The Raven were especially captivating, particularly the brutal physicality brought to the former. But for me, the stand out performance of the night was Rufus Griwold (Eoin McAndrew). Right from the opening, he captured the audience’s attention and delivered a multi-layed performance as Poe’s former friend and rival.

I wouldn’t hesitate to recommend this to anyone – definitely one of the best shows of the Fringe! We demand a soundtrack!

Reviews from the Home Front – Dear Lucy

With 2018 marking the centenary of the end of the First World War, it is no surprise that this year’s Edinburgh Fringe has many shows based on the Great War. Dear Lucy… by Flying High is one such show. Part of their Heritage Lottery funded project, ‘Then & Now: Rebuilding lives after the Great War’, Dear Lucy… focuses not on the conflict itself but rather its aftermath as the Lucy of the title has to pick up the pieces of her life which is shattered by the news that both her brother and fiancé were killed in action.

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The stage was adorned with poppies, old photographs, and letters to Lucy which were read aloud, transporting us back to 1918. This set a very poignant and sentimental tone which remained throughout the play, which featured contemporary dance, music and scenes of family life after the war, which were beautifully acted. I liked how female-focused this production was, as they explored women’s roles following the end of the war and female friendship. The family relationships portrayed – particularly between the sisters – felt real and well observed. All the actors did well with the multi-roling that this play required, creating characters that were distinct and believable.

My favourite storytelling device used by Dear Lucy… however was the recorded interviews. The play is very much a family affair as it is based on a true story, with Lucy being played by the real Lucy’s great granddaughter, and interspersed between the scenes were clips of recorded conversations with Lucy’s grandchildren. I love hearing people’s family stories, and the inclusion of these memories were heartwarming and made Lucy seem that much more real to the audience. It is clear that she was adored by her family, and the show was lovely tribute to her.

Letters from the Home Front -Edinburgh Diary Day 9

Thursday 9th August 2018

We had a busy schedule planned with lots of shows to see. The day started with us hot-footing it down to theSpace on the Mile to try and grab some last minute tickets for Noel Coward’s Still Life. However, it was all sold out! It wasn’t a wasted trip into town though, as we decided to head into the heaving crowds up on and around the mile and hand some flyers out before our next show of the day.

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Next up was Dulce Et Decorum Est: The Unknown Soldiers at theSpace at Triplex. It transpires that the company are staying right next door to us so we thought it jolly good form to go catch our neighbours’ show, especially as it’s also set in World War II! There were some lovely parallels between The Unknown Soldiers and Greyhounds, right down to the vintage tea-chest that sits proudly in the set of both shows.

Coming out of the show, Fiona’s grumbling stomach reminded us that we’d been so enthralled in the day’s activities that we’d forgotten to factor in time for lunch. Laura and Tim dashed off to grab some pasta whilst Fiona, Jacob and I rushed to theSpace on Niddry Street for Dear Lucy. We enjoyed the WWI show but I do hope the performers weren’t put off by our vocal tummies desperate to make themselves known. When back out on the street, Jacob, Fiona and I were on the prowl for some fast and filling food. The golden arches were looming. We accepted our fate and joined Ronald in a triumphant feast of burgers and fries. Meanwhile, Laura and Tim found director Jac and techie Paul and went to a performance of Dick Barton: The Tango of Terror by the Television Workshop Salford. Always great to support a fellow Greater Manchester production!

We reconvened on the Royal Mile, where Laura whipped out her ukulele and we did some impromptu close harmony singing for those passing by. Pretending to be The Andrews Sisters is definitely one of my favourite pass-times. It’s a shame we’ve only got four songs down at the moment!

Then it was time for another performance of Greyhounds. We seem to be racing through this run of shows at an alarming rate, it seems only yesterday we had those first night jitters. Another appreciative audience greeted us which was so lovely. We’re ever so grateful for the reception we’re receiving at the Fringe!

One of the great things about the Fringe is being able to go see a plethora of shows at almost any hour of the day. Tonight was the turn of The House of Edgar – a deliciously dark musical about Edgar Alan Poe. Post-performance, we trooped up to Greenside @ Nicholson Square which was bathed in green light. Here’s a snap of Jacob and Fiona having an absolute whale of a time before it was time to go and take in the show.

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The House of Edgar is an absolute must-see if you’re here at the festival. Such good music and physicality. We were riding high on the spirit of musical theatre and decided that when back at the apartment, we should pop a musical on the TV. We searched various streaming services to seek out a good musical. And there it was. Chicago. Amazingly, it was Tim’s first viewing of it (which makes me even more grateful for him putting up with our exuberant performances of the Chicago numbers on the way up). We sang and danced our way along, apart from Cell Block Tango, where Fiona hushed us all to take in the masterpiece. What a jolly lovely way to spend the hours after the show!

Reviews from the Home Front – I, Sniper

I, Sniper tells the true story of soviet sniper Lyudmila Pavlichenko, deemed one of the deadliest female snipers in history. Plucked from obscurity as a teenage mother, she joins the red army and fights to take on the traditionally male task. This was an aspect of World War II history none of us knew very informed upon so we were interested to find out more from the Scotland-based student group from Acting Coach Scotland

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The play opens in a powerful fashion, with rows of young women marching in military uniform and responding to the barks of their commander in Russian. This instantly sets the evocative tone of the piece and establishes its context in a very clear way.

The story is told in a candid diary-like style, drawing the audience into her story. This clues us into her thoughts, feelings and emotions throughout her wartime journey, helping to ensure that the character of Pavlichenko is sufficiently humanised. The lead role is passed amongst the predominantly female ensemble cast, with each actor’s portrayal impressively as strong as the next. They use the clever device of pinning a military medal on and tucking their hat into their belt so that the audience is left in no doubt as to who is portraying Pavlichenko at present.

This is a very slick and well-rehearsed production which totally hits the target. Coming out of the production, I felt well-informed about an aspect of history I’d never explored before and like I wanted to research more myself. An impressive feat for the production indeed!

Letters from the Home Front – Edinburgh Diary Day 7

Tuesday 7th August 2018

Gosh, it was a real struggle to remember the date. Being at the Fringe is like living in a lovely bubble where days of the week don’t exist and time seems to be fluid as we try to cram as much as we can into each day.

The day started with our dear Laura thundering down the stairs in a flurry of excitement. We had received another 4* review, this time from Edinburgh Guide who described Greyhounds as ‘pretty much perfect’ with a cast who ‘nail it, and are as genuine as the people they play’. To get such a great reception from the critics is wonderful, especially after all the late nights we’ve spent in rehearsals going slightly mad! Our latest success was celebrated with breakfast-time bacon sandwiches for the meat eaters and lashings of tea and toast for everybody else.

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We didn’t have long to bask in the glow though, as Jacob, Laura, Tim and myself were off to the Gilded Balloon to catch musical ‘Fall of Eagles’ by Green Ginger Productions. We’ve written a review of the show which you can read here, but to summarise – we thought it was jolly good fun! We caught the cast for a quick chat afterwards which was lovely, so great to talk to a fellow northern company. It was then time for some delicious lunch at veggie restaurant/bar Paradise Palms. This place has incredible eclectic decor, adorned with bright bunting, model pigs, a type-writer and vintage paraphernalia. We wolfed down our food with glee and chatted about the show we’d just taken in.

Meanwhile, Jac, Paul and Fiona took care of business on the home front. They gave the flat a much-needed spring clean and baked up some fresh bread. Paul, our techie, is not only a whizz with the sound and lights but also knows how to make a mean loaf! Whilst the bread was baking, admin was taken care of with Fiona taking to the blogosphere and updating you all on our comings and goings.

It was then time for Jacob, Laura, Tim and I to finally go see one of the shows right up there on our to watch list, ‘I, Sniper’ by Acting Coach Scotland. The play tells the true story of Lyudmila Pavlichenko – often called the deadliest female sniper in history. I came out itching to read more about her! We bussed it back to the apartment as director Jac was cooking up fajitas for dinner. We stuffed ourselves silly with the mexican deliciousness before rushing back out again to perform Greyhounds. We warmed up in our usual car park space and took to the stage. The audience seemed to enjoy the show again, which was great to see!

Back to the apartment again, this time for gin cocktails and board games. Fiona had bundled Articulate into the car at the very last minute on day one, and what a cracking call that turned out to be. The best moment had to Paul be trying to convey the word ‘horrifying’ to Jac, his description being ‘it’s like… a scary film but longer’. Laura, Tim and I were the eventual triumphant winners and reigning champions until the next board game night.

Until next time,

Catherine

(Greyhounds’ Ruby Winters)